P-22 the most famous mountain lion in the world is a both a celebrity and messenger. So far he has managed to: survive the deadly traffic of Los Angeles; stealthily navigate the cities massive urban sprawl taking up residence in an area that represents 3% of a normal size home range for a mountain lion; and, recover from a potentially life-threatening case of rodenticide poisoning. For the most part P-22 has overcome the odds, but his story is a cautionary tale with an important message – one that is explored in the upcoming documentary film The Cat that Changed America.
The film focuses on P-22, the challenges mountain lions are facing in California and the plan to build the world’s largest wildlife crossing which will help connect mountain lions, and other wildlife, to spaces better suited for them. There is an urgency to get the crossing built as mountain lions are running out of time in California – they are threatened by urban sprawl, inbreeding, vehicles, rat poison and ultimately extinction. If they do not get the help they need now they will most certainly be gone in 50 years
P-22 has helped to create a movement that is shifting our view of mountain lions and, with effort on our part to learn to co-exist with this important keystone species, his story can be a catalyst to help change America and the rest of the world.
In anticipation of the films release I recently spoke to Director Tony Lee about The Cat that Changed America and the role he hopes it will play in helping P-22 and other mountain lions in California.
When you first became aware of P-22, and the crisis facing mountain lions and wildlife in LA, what inspired you to tell his story?
I was struck by how passionate and eloquent the campaigners for the wildlife crossing are, especially Beth Pratt, the California Director for the National Wildlife Federation, and Miguel Ordenana of the Natural History Museum of Los Angeles County. It was actually Miguel who was the first person I spoke to about the story, which is appropriate as he captured the first photograph of P-22 in one of his camera traps in Griffith Park.
Why do you think it is important to make this film now?
I think the film is very timely, as the National Wildlife Federation and the Save LA Cougars campaign are aiming to raise $10 million by the end of 2017 to fund the development of the wildlife crossing, with the long-term goal of completing the crossing in 2021. They need to raise a total over $55 million for this. My film is part of this much larger campaign to raise funds and raise awareness.
How do you see P-22 and his story changing the way Americans, and the world, view mountain lions and their role in a healthy ecosystem?
I chose the title “The Cat that Changed America”, because P-22 has moved the dial in our thinking about where urban wildlife can thrive, especially wildlife as big as a mountain lion. P-22 is living in the middle of the second largest city in the United States, and one of the biggest metropolitan cities in the world. If wildlife is to co-exist alongside us, we also need to change our thinking about what are acceptable places for wildlife to live. We also have a choice of becoming responsible and considerate neighbors, which means changing our consumer lifestyle, thinking about the impact on the countryside and not using rat poisons.
In a feature for the Natural History Network you wrote that this was “an intricate and sensitive story”, as well as a challenging one. What makes P-22’s story different from other wildlife conversation films you have made?
I feel a huge responsibility to tell the story well, and use my knowledge and experience as a filmmaker. Together with Alex Rapaport my cinematographer based in LA, we aimed to tell the story through cinematic language and emotional appeal. This story is different from other conservation films I have made, because it is part of a bigger campaign, and I feel the urgency and the responsibility that comes with that.
You also mentioned that the 1 hour film was completed in about 3 months. What were some of your biggest challenges making a film about one of the most elusive and shy cats in the world, in such a short time frame?
As a wildlife filmmaker, I know that filming mountain lions, and especially P-22 within the time frame would be nigh impossible. They are called ghost cats for good reason as they are incredibly elusive. So I concentrated on filming the characters connected with the wildlife crossing and studying P-22. For actual mountain lion footage, I relied on existing film captured by Miguel Ordenana and Matthew Whitmire who were part of the Griffith Park Connectivity study, as well as the National Park Service, who had footage and photographs of P-22.
You interviewed researchers, experts and citizens for the film – what about P-22’s supporters has stood out most?
There are so many wonderful quotes and passionate stories in the film; some of the stand outs for me include Miguel’s description of finding the P-22 photograph for the first time, which he likens to discovering ‘Big Foot’. Beth also describes her life changing experience when being shown around Griffith Park by Jeff Sikich and realizing that urban wildlife as big as a mountain lion can live right in the middle of LA. Sherry Ferber’s description on hearing that a mountain lion had been killed on the 101 freeway near her home in Liberty Canyon and how that cemented her bond with these cats, and Poison Free Malibu’s plea to stop using anticoagulant rodenticides as we are poisoning the Earth as well as each other.
The Cat That Changed America has been accepted at the World International Film Festival in Los Angeles and New York. Are there plans to enter it at the Jackson Hole Wildlife Film Festival where the conservation focus will be on the big cats?
Yes I absolutely plan to submit it to the 2017 Jackson Hole Wildlife Film Festival. I actually won the Special Jury Award at Jackson Hole in 2015 (for ‘The Secret Life of Your House’, about animals which live in our homes). The award partly inspired me to make this film about P-22. I’ve already approached the Festival board with panel suggestions for their Wild Cats symposium, with the focus being on connectivity and habitat fragmentation facing wild cats.
How important is it for a wildlife film like this to be seen at film festivals?
I think it’s vital to raise awareness to anyone who is interested in wildlife, and especially to those who are unaware or not so interested. P-22 is a celebrity, but many Los Angelenos and people around the world are still unaware of the serious issues facing mountain lions and how they are suffering from fragmentation, habitat loss and the threat of anticoagulant rodenticides.
Besides the film festival circuit where else will the documentary be available for viewing?
I’m currently talking to distributors and channels about broadcasting after the film festivals. I’m hoping that the popularity created by the festivals will stir broadcaster interest as it has done so with other environmental films such as ‘Blackfish’ and ‘Racing Extinction’.
Was there anything that you learned about mountain lions during the process of making the film that has left you in a position to be a better advocate for the species?
Yes, I didn’t know that male mountain lions need very large home ranges – around 200 square miles – they need to be connected to open spaces, otherwise they will fight to the death over territory. It’s our responsibility as Los Angelenos and considerate neighbors to ensure they have enough space to thrive, otherwise they suffer from the effects of inbreeding and intraspecific killing.
P-22’s celebrity seems to be doing for mountain lions what Elsa the lioness of Born Free did for African lions. How do you see your documentary fitting into a new movement towards helping save North America’s lion?
I like to think that bringing my 25 years experience as a wildlife and conservation filmmaker will help P-22’s cause and help raise funds for the wildlife crossing. In fact I feel so strongly about this film, it’s the first time I have used my own money to solely finance a feature, because I felt so passionate about getting it made. I’m sure that people will want to watch it, but I also see it as a donation I’ve made to the Save LA Cougars campaign in the way I know how to contribute as a filmmaker. Conservation films have been notoriously difficult to get funded, but I think we are entering a golden age for documentaries, and I’m excited to be part of that movement.
Do you think that P-22’s story will help change attitudes towards mountain lions and how they are viewed and ‘managed’ outside California?
Absolutely. P-22 has been described as a conservation hero and ambassador, and in fact, I’ll be putting him forward in that category at Jackson Hole Wildlife Film Festival in 2017. A conservation hero doesn’t necessarily have to be a person like E.O. Wilson or David Attenborough, it can be an animal too, and P-22 is the best poster child for urban wildlife and issues of connectivity.
What is the main message about mountain lions in LA, and in general, that you want people to take away from the film?
If we are to coexist with nature, we radically have to change our lifestyle and our way of thinking, and become part of nature, even if we are living in one of the densest urban areas on Earth. Species are disappearing at an alarming rate; we are Nature’s gatekeepers, the responsibility of the planet at this moment in time rests solely in our hands, and P-22’s story and the wildlife crossing truly shows that charity begins at home, right on our doorstep.
HOW YOU CAN HELP
Be sure to visit the films website The Cat that Changed America and share – If there is any story that can help sway people’s interest in helping conserve North America’s lion it’s this one.
If you would like to support the wildlife crossing by making a monetary donation please visit Save LA Cougars
About Producer and Director Tony Lee: Tony is an award-winning filmmaker, television producer and author. Tony has worked in California for 2 years for National Geographic Television and in New York City for Animal Planet. Over his 25 year career, he has produced and directed many programmes in the science and natural history strand for a range of broadcasters. He spends his time between California and England, and has a special interest in big cats.